Perrin M. Lathrop (dir.) (2022) - African Modernism in America
DOI:
https://doi.org/10.51185/journals/rhca.2024.cr20Keywords:
Modern art, United States of America, Harmon Foundation, Diaspora, Fisk University, Ceramics, Phelps-Stoke, PaintingsAbstract
Critical review: Perrin M. Lathrop (dir.), African Modernism in America, New York/New Haven, American Federation of Arts, Yale University Press, 2022, 223 p.
References
BROWN Evelyn S. (1966), Africa’s Contemporary Art and Artists, New York, Harmon Foundation.
ENGLISH Darby et BARAT Charlotte (dir.) (2019), Among Others: Blackness at MoMA , New York, Museum of Modern Art.
ESHUN Ekow (dir.) (2022), Black Infinity : l’art du fantastique noir, Paris, Textuel.
LOCKE John (dir.) (1925), The New Negro: An Interpretation, New York, Albert and Charles Boni.
WALTER John C. (2003), « The Harmon Foundation and the sponsorship of contemporary African artists, 1947–67 », Contours: A Journal of the African Diaspora, 1 (2), pp. 199–218.
WEBER Charles C. W. (2001), « Mission Strategies, anthropologists, and the Harmon Foundation’s African Film Projects: presenting Africa to the public, the inter-war years, 1920–1940 », Missiology: An International Review, 29 (2), pp. 201–223.
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